Exhibition Information

Installation view of FW19 at ONE AND J. Gallery

Installation view of FW19 at ONE AND J. Gallery
2019 사진 출처: 원앤제이 갤러리 사진 촬영: 이의록

Jo Kim_ Hyangro Yoon Felix Martens Edition 3
2019 Dichroic. sand blasting on hand made glass Certificate: Dichroic 29.7 x 59.4 x 7.4 cm_ 보증서: 14.7 x 10.5 x 1.2 cm.

Jo Kim. Hyangro Yoon <Dan Broodthaers>
2019 Film on powder coated steel_Certificate: Aluminium 70 x 67 x 20 cm. 보증서 : 14.7 x 10.5 x 0.1 cm

			The One & Jay Gallery will host the 《FW19》 of Kim Byeong-jo and Yoon Hyang-ro from June 11. This is the next exhibition of the collaborative collection, 19SS19》, conducted by the two artists at the Sosh Room in the winter of 2018, where graphic designer Kim Byung-jo and artist Yoon Hyang-ro will showcase "semi-product," which combines each other's methodology and technology. "Jun-thing" is a concept and work that began as an extension of the question of what the designer and artist will showcase at the White Cube in an era when design refers to and replaces art and fashion. It involves graphic designers who make linguistic objects called "text objects" based on sophisticated typography techniques and artists who explore abstract paintings that pass on mass media images to the latest imaging techniques, working together to create a single piece of work. Technically, it combines Kim Byung-jo's methodology of deriving three-dimensional objects from two-dimensional graphics with Yun Hyang-ro's methodology of diverting historical images, but as a result, it refers to and replaces works and documents, the general roles of designers and artists, and ultimately attempts to rethink the way they create and media forms.  Based on historical images of design and art history, the Seoul Exhibition 《FW19》 asks how the forms of objects get closer to art and how the forms of art can escape into objects. Works placed in the exhibition hall are fixed as part of architecture once installed, such as watches, windows, sculptures and baseboards, but have the form of objects, not architecture. These objects are perceived by observers as flat as polygons, which do not usually come near. The works seem to have used typical pieces of material, such as marble and wood, but in fact they were made from a thin sheet of iron cut and the surface is disguised as an interior film. The thin, hard interior film, selected as a material for a kind of normal mapping, derives pieces with minimal volume from the plane, and reproduces the material of the original, which is exclusive. The two authors deviate from the position of these objects, or change their properties to create a more curved, unfamiliar spatial experience, while exploring the tactile experience that a two-dimensional medium can have.  Writers and designers whose forms and materials are exclusively for one piece are left with titles such as Felix Martens and Dan Broodders. In addition, books will be published along with exhibitions. Photographer Park Ki-soo's image and critic Yoon Won-hwa's writings, as well as architect Chung Hyun's writing and work design, as well as simulation images, "Two Books" are all about objects.
It serves as a return to the city's two-dimensional world.