Exhibition Information

			Looking at nature and seeing a landscape where visual objects have disappeared starts from feeling an invisible object. To me, looking at scenery refers to a state in which I can immerse myself in the present state and feel the air, sound, and fragrance, and become close to the realm of nothing when I feel silence, mainly in an empty state. To put down all reason and concentrate on emotion and sense, to draw out pure feelings, joy, sorrow, solitude, etc that man can feel. In <Unknown Forest>, he went on a walk around the Hangang river and focused my experience on various ways of expressing abstract painting beyond the visual expression of the object.

Before proceeding with the work, mediate and maintain the most sensitive state of sensory, emotional and psychological state in response. As I immerse myself in colors and brush strokes in the space of an empty canvas, I feel as if I am in a space on another dimension that does not exist. Only the color of the sculpture produced by the senses can be overlapped with repetitive brush strokes, creating an accidental effect. The color you see on the screen is an important point where my emotional state appears. Rather than describing specific forms, they focused on the new images that emerged in the process of agonizing over the material itself and splashing and erasing the paint. 

Emotions are invisible, but when they are embedded in conversation, they are visible in a free of sight in a free form. The brush strokes that make up the screen appear in colors, faces, and lines as layers of layers. The light and dark concentration of paint on the brush overlaps with the color, creating an indeterminate color. Through repeated brush strokes inside the canvas, the line becomes the face and the face forms the screen. To express the senses felt from nature, one seeks to freely construct repeated and modified lines, and is keen on the senses for the most natural brushstrokes expression.

[Source] ArtSpaceloo homepage