Period| | 2021.01.13 - 2021.01.19 |
---|---|
Operating hours| | From Monday To sunday 11:00 ~ 18:00 |
Space| | Gallery Dos/Seoul |
Address| | 37, Samcheong-ro 7-gil, Jongno-gu, Seoul, Republic of Korea |
Closed| | the Lunar New Year and Chuseok holidays |
Price| | Free |
Phone| | 02-737-4678 |
Web site| | 홈페이지 바로가기 |
Artist| |
정재열
|
정보수정요청 |
Exhibition Information
Ordinary objects that fill the past time and present of their lives are so natural that they fill people's surroundings without being recognized. Between the meaningful and intense events, there were wrinkles on the collar, which were neither stiff nor soft, and the floor that was not clean nor messy, and there was dust that filled the gap thinly. People attach meaning to ordinary objects, neglect them, and value them in order to remember special moments for a long time. Jung Jae-yeol looks at the objects in his daily life with a warm look, but takes them out and shows them without any difference, as if he could not rank them from ten fingers. The list, written without obsession, includes dust-up carried by small winds from visitors coming and going. The author begins his work with a simple motivation to create a suitable place and give attention, not to give grand meaning to ordinary objects. It does not neglect the moment the sunlight shines on the surface of an object as a natural phenomenon that flows, but it is accepted as one of the specific images that an object made by itself can have in the world. The touch of dirty plastic bowls and parts left behind by a beast accidentally encountered in a cold alley, the touch of plastic wrappers touching the back of his hand, proves to Jung Jae-yeol the world he lives in, and is worth keeping in mind as a story. The objects, which had neither noble nor insignificant use nor form, were not attractive enough to catch the eye, but are calculated in the exhibition space under the author's simple intentions. After being given an honest role to fill the remaining empty space around the main character, the stage and lighting called the white exhibition hall were prepared for the rest of the items, which were organized and removed due to the need for empty space. The combination of objects that are far from the art materials that the audience expects before watching the work seems shabby at a close distance, and the whole view can be embarrassed by its unfamiliarity. However, individual works are intuitively installed without complicated modifications and modifications and are easy to observe because they are simple objects that do not have a convoluted operating principle. The plasticity has shown in the artist's planning and processing of the work includes the illogical part. Many audiences who are interested in the work also watch and expect the English comprehension of emotions to be met in the works of art, but the process of the work being produced often takes place within the scope of efficient and calculating ruthless reason. Literature, which is expressed by a writer who has acquired expertise and skills with skilled workmanship with intentions, is unexpectedly difficult to approach and complex elements before being compressed into simple appreciation. However, the work that Jung Jae-yeol shows is not a heavy story with the voice of an expert. It is a slow-paced scene in which people of the same age, who turn fast, make small efforts or encounter them unexpectedly in their daily lives. For the writer, the beginning and end of the work is carefully planned, but he/she is generous in accepting and absorbing the unexpected situation beyond the will that intrude within the time of the act.