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Art Map collects personal information for members who wish to answer questions as shown below.
1. Collecting personal information item : [Essential] Member name, Phone number and E-mail address
2. Purpose of collecting and using personal information : to secure personal identification and a smooth communication path according to request for inquiry 3. Retention and Utilization Period of Personal Information : Keeping shall be made for six months from the end of processing the enquiry and destory it.
4. Added Information for the right to refuse consent : You may refuse the above consent for porsonal information collection.
However, if you refuse to accept the request, you will be restricted from asking.
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정보 수정 요청서
※ 작가,전시회 담당자가 아닌 경우 요청이 반려될 수 있습니다.
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수정내용*
Information on the collection and utilization of personal information
Art Map collects personal information for members who wish to answer questions as shown below.
1. Collecting personal information item : [Essential] Member name, Phone number and E-mail address
2. Purpose of collecting and using personal information : to secure personal identification and a smooth communication path according to request for inquiry 3. Retention and Utilization Period of Personal Information : Keeping shall be made for six months from the end of processing the enquiry and destory it.
4. Added Information for the right to refuse consent : You may refuse the above consent for porsonal information collection.
However, if you refuse to accept the request, you will be restricted from asking.
I agree with you on the collection and utilization of porsonal information. *
Untitled
1968 (출처= 국립현대미술관) Oil on canvas 163x131cm
65-B
1965 (출처= 국립현대미술관) 162x130.3cm
G-3
1972 (출처= 국립현대미술관) 190x131cm
Untitled 74-F6-B
1974 (출처= 국립현대미술관) 226x181.5cm
This is the solo exhibition of Chung Sang Hwa (1932-), a representative painter of modernism in Korea. In spite of being a major artist in the emergence of Korean monochromatic painting, We would like to show the world of work of an artist who needs to be re-established in art history due to his long stay abroad and activities. The purpose of this study is to trace his active activities in Korea during the nine years in Kobe, Japan, from 1977 to 1992, and then in Korea, and to examine the transition and context of his early work from Informel to monochromatic work. do. Through this, we will proceed to identify and fill in the gaps found in Korean art history. In addition to painting using pigments, the artist's status is confirmed and reevaluated through various techniques used by the artist such as printmaking, framing, and drawing, as well as the creative world of work.
(Source = National Museum of Modern and Contemporary Art)
※ The copyright of the images and writings registered on the Artmap belongs to each writer and painter.
팸플릿 신청
*신청 내역은 마이페이지 - 팸플릿 신청에서 확인하실 수 있습니다. 6부 이상 신청시 상단의 고객센터로 문의 바랍니다.
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