Period| | 2019.04.04 - 2019.05.01 |
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Operating hours| | 10:00am - 07:00pm |
Space| | Alternative Space Loop |
Address| | 20, Wausan-ro 29na-gil, Mapo-gu, Seoul, Republic of Korea |
Closed| | New Year, Lunar New Year, Chuseok holidays |
Price| | Free |
Phone| | 02-3141-1377 |
Web site| | 홈페이지 바로가기 |
Artist| |
레스
|
정보수정요청
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Exhibition Information
Kim Tae-kyun, who works as a photo-graph named LESS, uses a camera to capture youth, life and energy that exists between Real Raw and Ideal Star. There is surely a gap between youth between reality and ideal, between the famous star in the author's fashion pictorial and the youth of reality met in the quiet countryside. But there is no difference. The exhibition's title, "Rawtintin StarRawteenstar," borrowed the expression of popular culture, "Highteen Star," which means idol in the '80s and '90s LESS also shoots idols at the request of fashion magazines. The writer found in someone the life that manifested itself when it was somehow lifted from the overlapping interests surrounding him, unlike the set studio, the star in a magazine that requires an ideal image. Cameras capture images of youth that are always inside of us but have forgotten. In a small town in Korea that happened to stop by, the writer saw a scene as if time had stopped. In a strange town where no one seems to live, the writer meets another life. Youth in small cities is quite different from armed stars in big cities. A young man in boxing gloves, a high school soccer player, and a young woman lying idly on the beach, following the sound of a sandbag that seemed to be alive, was showing her own vitality, unlike the stationary landscape. Just like proving their star Star is alive. He doesn't care about his surroundings, he doesn't want to show anything. This was so different from the scenery that I found in the city from the Celubes. The clear camera-conscious stare taken in front of the concert hall of a Hallyu star seems to convey an unexpected vitality, even though he is probably nothing. All that youth, center and surrounding life, is not sure what it is or where it is looking. The writer simply throws the unexpected into the audience. There's no clear point I want to It wants visitors to intervene with images themselves at the ambiguous point where they collide when they are not clear. Small, private images of what you're doing may be real or past or future for the viewer. Unintentional objects are recorded in the unprocessed life of the original, but in the stuffed images there are times, youth and energy. Rawteenstar, listed as nothing but nothing, simply lives a natural, free-spirited life. And I ask. What do you see?