Exhibition Information

Songs for the Lost
2019 © SongEun Art and Cultural Foundation and the Artist. All rights reserved Oil on linen 65cm x 100cm

2019410
2019 © SongEun Art and Cultural Foundation and the Artist. All rights reserved Oil on linen 227.3cm x 182cm

Choir
2019 © SongEun Art and Cultural Foundation and the Artist. All rights reserved Oil on linen 130cm x 163cm

unexpected siren
2019 Oil on linen 90cm x 100cm

			Lee Chae-eun puts a variety of images on a large screen and connects them.
Relocate and bottle, subvert. The images that the author captures and carries on the screen are usually easily accessible everywhere.
These are images that I have seen once in the medium of events, art history books, and movies that I encounter through images or news.
One of his new works, The Mirror in the Mirror (2019), is a collection of Michael Ende's short stories.
I borrowed the title of the mirror Spiegel im Spiegel. Michael Ende's surrealistic short stories seem to be out of line.
Each looks independent, but depending on what you read, you can concatenate the fragments in various ways.
When you look at a subject through the mirror in the mirror, the image in the mirror clearly shows the image of the subject.
It is doubtful whether it is reflected. In Lee Chae-eun's work, "The Mirror in the Mirror" in the Mirror in the Mirror, each one of them was found to be different.
Images are independent and can be woven into a number of different cases. Likewise, on the left side of the work, the 'doubtful cutting board.
The drawing reflects an endlessly suspicious attitude toward the image. often expressed in religious paintings to holy figures.
To give a halo to a cutting board to highlight the doom as a suspicious subject. Images that deviate from the original context,
He wears a new allergy on the screen, breaking away from the existing allergy.