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Information on the collection and utilization of personal information
Art Map collects personal information for members who wish to answer questions as shown below.
1. Collecting personal information item : [Essential] Member name, Phone number and E-mail address
2. Purpose of collecting and using personal information : to secure personal identification and a smooth communication path according to request for inquiry 3. Retention and Utilization Period of Personal Information : Keeping shall be made for six months from the end of processing the enquiry and destory it.
4. Added Information for the right to refuse consent : You may refuse the above consent for porsonal information collection.
However, if you refuse to accept the request, you will be restricted from asking.
I agree with you on the collection and utilization of porsonal information. *
Cory Arcangel Related to Your Interests
2020
(Source = Thaddaeus Ropac)
Cory Arcangel ~3.2022.057~2x1.2~E6
2022 (BWB-Bausilber 2 E6) 200 x 120 cm
(Source = Thaddaeus Ropac)
Energy is the foundation of our world, it makes everything go.
— Cory Arcangel, 2023
For his first solo exhibition in South Korea, American-born artist Cory Arcangel assembles a group of works that embodies his enduring interest in technological developments, the digital realm and how images and commodities circulate in a global context. Presenting video, performance, wallpaper and wall-mounted works, the exhibition encapsulates the breadth of Arcangel’s practice, and asserts his position as a pioneer of digital technology-based art.
In 2020, using a machine learning technology, Arcangel programmed a bot to scrape clickbait gossip websites. The artist explains that by ‘toggling between two different articles, as if weaving sites together,’ this bot would identify key themes in the articles, passing them through Google Images to create a series of slideshows. These slideshows were accompanied by an automated voice that reads a nonsensical text generated by the bot using material sourced from the articles. From 2020 until late 2021, the videos were then uploaded to YouTube by the bot without the artist’s intervention.
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(Source = Thaddaeus Ropac)
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