Exhibition Information

Exhibition view

Exhibition view

			If you don't feel comfortable cleaning your mind properly, nothing will be done. So, what we learn and teach on this planet, if we don't have one mind, we can say that nothing has been done properly. The act of the heart becoming one, the biggest virtue. is the core philosophy of Buddhism and can be seen as a good sentence that transcends religion.
And even though each province has its own local name, Gyeongju is a very unusual name for me. The reason is that Silla's thousand-year-old ancient city has many ancient sites in many countries, but Gyeongju has beautiful world heritage completed by the Silla people, and I am very lucky to be able to paint while living in it.
Park Dae-sung

In order to draw the object you want to draw on a canvas in your mind, you cannot say how to draw it with any technique. Artist Park Dae-sung, who has not received formal education, has learned his own free drawing method and has been painting until now. They exclude the universality of art education and try to project free will by looking at the object. It turns into a bird and looks down, and it turns into a fish and looks up. Project the viewpoint of an object other than me and draw it on a canvas. By changing the way you perceive it, you change your perspective on the object.
Artist Park Dae-sung colors and weaves with just one ink. And he is painting with a unique screen composition method of ink painting called "The Beauty of the Hundred." The "white beauty" is filled with more thought and meaning in the empty space than in the filled space. Conscious behavior that creates fill by emptying is a long-standing feature of oriental ink painting. In modern Western art, a philosophical flow similar to the beauty of the margin was born with the trend of 'minimalism'. In light of this, ink-and-wash painting with filling and emptying, and yin and yang contrast can be said to be a modernism that has been waiting for a long time.
the ink-and-wash paintings of the three Eastern countries are different from each other. Chinese ink paintings are colorful and diverse, and Japanese ink paintings are simple but colorful. Korean ink-and-wash paintings carry a free-spirited yet self-weighted weight. Even in the world of ink, it was developed by pursuing different beauty according to ethnic characteristics.
Through this exhibition, I would like to show the characteristics and style of Sosan ink while exploring what artist Park Dae-sung wants to ultimately go to in the world of ink.