Period| | 2020.01.31 - 2020.02.05 |
---|---|
Operating hours| | 10:00-18:00 |
Space| | Art Space Hue |
Address| | 111, Gwanginsa-gil, Paju-si, Gyeonggi-do, Republic of Korea |
Closed| | holiday |
Price| | Free |
Web site| | 홈페이지 바로가기 |
Artist| |
|
정보수정요청
![]() ![]() ![]() |
Exhibition Information
Artist Yoon Sang-yoon continuously displayed the work of divulging clusters of people who transcended time and place by dividing the screen into id, ego and super ego. His previous work consistently involves water, which flows fluidly between self and instinct and disrupts screen tension. For the artist, the irony of the dichotomous division of visibility and visibility, individuals and groups, reason and instinct, language and non-verbal language, has always been an important topic. The exhibition focuses on drawing with the left hand that the artist is not familiar with. Contrasting with the right-hand conversation of rational and logical composition, left-handed drawing relies entirely on the pure instinct and sense of the socially learned and untamed artist. The exhibition title is a representative piece by American blues guitarist T-Bone Walker. The author looks for a spiritual outlet to live in a "cruel and ragged world" in the freewheeling of hippies in the 1960s and 1970s. The nature of the anti-social hippie culture, which denies material civilization and existing order, faces a point similar to the artist's intentional choice of an inexperienced left hand. Sometimes, all tensions need to be laid down without countermeasures in order to survive a world where reason and logic alone are not convincing. This is a mean old world, baby to live in by yourself.