Exhibition Information

Installation View

Installation View

Installation View

Installation View

			<Dear plant: Loose Solidarity>

The Soda Museum of Art has prepared a plant-themed exhibition called Deer Plant: Loose Regiment in Winter All of the artists in the exhibition are projecting their lives through plants and focusing on their ties to plants. It will be time for us to think about what the plant means in the individual realm, and how we should live in solidarity with the plant.Living in an uncertain and competitive age, we each think about the direction of life and the meaning of existence. Emotional ties that have been lost in numerous superficial relationships have led to individual loneliness and loneliness. We thought about what we could do to satisfy our dry emotions for a better life. And we found the object of comfort and consolation, which is not unusual or difficult, that we could relate to at a reasonable distance. Plants come into the artificial environment that we live in, and they share their daily lives. And it turns out that this small, fragile-looking life has learned how to live with humans, repeating its adaptation and evolution in a barren environment. So we find a peaceful way of co-existence in plants.
This exhibition talks about why loose association with plants is important in our lives. Not only do you get comfort and comfort from the exhibition, but you also expect to look at plants as one object that projects your life.

Kim Mi Young
Kim Mi-young expresses the moments she faced in nature as abstract images on canvas. The sensory landscape faced by the writer, such as wind, sound, scent and memory, is dynamically revived on the screen through repeated acts of painting, scratching and re-stacking. In this exhibition, the artist uses vivid images of trees, grass, and other plants that have disappeared, so that the oroot can focus only on the senses and feel the scenery with its mind

Kim Yu Jeong
Kim Yoo-jeong metaphorically reveals the aspects of modern people's lives through the appearance of plants that grow naturally in urban settings. The author wanted to capture the inner and life phases of human beings, based on the reason for their reasons for living in plants that lived up to the conditions of their survival conditions. It is a way of healing the wounds of modern people who live fiercely, and completes frescoes with scratches on the walls of the synagogue with symbolic meaning. Also, the landscape of arithmetic, made of tilandxia, shows our dominant view and desire for artificial nature, which is tailored to the city.

Sung Yoo Jin
Sung yoo-jin continues her work on the subject, staring directly at the anxiety and the underlying trauma from her life. A young child-like, personified cat is another self of an early childhood writer who began to recognize anxiety, appearing repeatedly on a screen full of plants. The author says he has come to realize the process of nature and the cycle of life by observing plants that repeat growth and death, and reports that the anxiety he faces through his work is also part of his natural life.

Eom Ah Long
Starting with his interest in discarded and forgotten things, Eom A-long uses the old objects collected around him as materials for his works to give new value. The objects collected by the author show the individual's memory and emotions as projected objects and mutated into various forms of animals and plants. The author talks about the existence and value of being left out in an artificial forest created in a concrete space. Through the shape of a non-rooted plant, works are made available, such as metaphor for the socially weak, who are forced to wander around for survival, to look at the phenomena facing individuals and society.

Lee Ja Yeon
Lee Ja-yeon helps control her inner anxiety and heal her wounds through repeated acts of burning paper and layer upon layer. After concentrated labor, the fragile paper was transformed into a thin, long plant form that felt sensitive and tense. The red color also makes it feel like an animal’s cilia, which is a metaphor for itself having a two-house appearance. The author, who sheds light on the feelings of compulsion and anxiety experienced by modern people, heals himself through a performing working process and shares them with the audience in visual language.

Heo Eun Kyung
Huh Eun-kyung presents a new universal standard for beauty through the shape of a heteromorphic creature combined with plants and animals. Based on his aesthetic experience, the author sought to capture the energy of life to adapt and live in any environment fiercely. The seemingly insignificant little life evolving and changing for survival is bizarre but at the same time beautiful. The author looks wonderfully at all the lives that exist, and also reflects on our lives, which are weak but adaptable to our environment and are silently walking our way.