Exhibition Information

			This year's exhibition is the second of its kind following <The Aftertaste of Happiness>(Sabak, Song Seung-eun, and Chung Ju-won)  as an extension of the painting project based on continuous research on the new painting work.
<Precise-Know-Not-Knowledge> the way the author's personal events or observations are metaphorized into unspecified places or objects. These landscapes are familiar and unfamiliar at the same time, such as exotic buildings seen through thick forests, spaces that have been left unattended in their original use, and artificial nature designed to sustain nature. Kim Min-jo talks about the variability of memories that transforms with the accumulation of time and experience. Like the slippery nature of mud slipping through the fingers, experience and memory do not guarantee absoluteness and form is flexibly reworked. The internet of Leehaiminsun has long been in real nature, such as mountains, stones and soil. The author closely moniors the properties of the object he encounter every day and captures the energy of his repeated regeneration and extinction on the screen. The rearrangement of natural and artificial objects and landscapes created by the inner side of man is by no means a confrontational structure and constantly generates harmony, balance, transformation and movement of change. Roh Jung-won captures the feelings of doubt and anxiety arising from the ambiguity of unspecified places and unclear figures in restrained colors and forms. "Beautiful facial expressions and language are false and our secrets are always well hidden.", like the author's point of view, a very common and  general image, such as the expression of a character whose features have been erased and empty, leaves a rather dense afterlife.

[Source] artspacehue homepage