Exhibition Information

			The exhibition "Ion Love" continues with Donna Harloway's question of "Why does our body end in our skin?" and wonders whether an individual can exist beyond the skin, whether it can permeate into the skin of another being and how it can be shaped.
The exhibition uses images of ions crossing thin membranes that guard against different beings as the motif to express a light sense of being that can be transmitted. Ions, small particles almost non-matter, have positive and negative electricity that can be swept into the interior of another being with energy and movement.
In the exhibition, which is implemented by the method of "installing paintings," the image of Meshachon is hung in the exhibition hall space. It is transferred to acrylic medium and is hung in exhibition space. The translucent surface, sobbing with a bumpy texture, metaphorizes the skin, a translucent membrane covered with numerous pores. The fabric expresses an image of flowing, dripping, and spraying fluid paint, which evaporates, becomes colored particles, and spreads through the translucent membrane into space.
This exhibition compares painting to skin and presents it as a fragile surface. Weakness throws a message that it means openness to embrace foreign things, not inferior values associated with an easily injured or hesitant attitude. The color emitted by the paint conveys the feeling that it touches deep in the body through the skin of the viewer like a small ion particle. This action that causes cells to vibrate in other people's bodies is the ultimate action that happens when love occurs.