Exhibition Information

			Floating people deal with individual events of people interacting both online and offline. Sections of likely events, not specific events currently taking place through work, leisure, and the scene of joint purchases or remarks, are listed, and fiction that is not far from reality floats like each node.

There is a moving wall that connects it, and it is a device that can overcome opaque holes and see other things together. These spatial compositions, which serve as walls, windows, and paths, serve as decentralized data storage spaces that combine previous information with new information. The different pieces and plane events on top of the wall have different appearances but are connected within the same moving structure as the algorithm. Rather than being physically rigid, the walls that produce the copper wire are partly transparent and partly flowing, suggesting a module that can be attached organically anywhere without closing itself. The pieces are in place, but they have an open line in that they will produce many connections in the movement of people walking in them.

Floating people thus summon the dataized body within a variable alternating current to the material of the fragment, revealing a sense of wealth within society.

Introduction of writers

Heo Yeonhwa is attempting to overcome the limited size of space, creating landscapes she faces in her daily life. It is working on the basis of its interest in fluid substances and bodies in environments where physical limitations have been resolved and are trying to replace three dimensions in the software environment with materials of reality. In recent years, interest in the things that make up them has expanded in the landscape and contains a section of everyday life that is made up of temporary exchanges.