Exhibition Information

Die Resistenz
2019 © SongEun Art and Cultural Foundation and the Artist. All rights reserved Single channel video 12min 55sec

Chapter 2 in the Great Recession period
2019 © SongEun Art and Cultural Foundation and the Artist. All rights reserved Single channel video 15min 37sec

perfect moments
2019 © SongEun Art and Cultural Foundation and the Artist. All rights reserved Single channel video 5min 2sec (loop)

The King and the Tomb and the Missing Treasure of the Great Cave Period
2019 Single channel video 18min 33sec

			a wartime opening
(Jae) Songun Cultural Foundation is a personal exhibition by Lee Jung-woo, the author of the 2018-2019 Songun Art Cube Exhibition Support Contest.
It presents "Rogeroullo." Every time Lee Jung-woo is accepted by pop culture and media, especially by film media.
I have been dealing with the subject of the kernels. The author has already established a solid way of dissolving and recombining the elements that make up the film.
Create empty brackets between images and perceptions.
The Great Dwarf Age (2019) is a three-channel video of the King and His Tomb.
The site used to be a rallying point for all power in one era but now deals with places where historical beings remain like their own. in the middle of a video
The liver contains news related to certain politicians and the nurturing of politicians who are played upside down. <Chapter 3. OLNULLYMM> - Reverse
"The Mummy," "The Goons," " 1985" and "Bi Xie Jen, 1981" were all broken up.
This is a recombinant reallocation in a different way. The elements that make visual reading possible, such as images, sounds, and subtitles,
Mix in upside down. In the process of putting in reverse or obsequious scenes, the original movie's epic is destroyed.
It is also read as a new narrative that was unexpected. It's like a structure that recognizes events in the last time line that have been reorganized.
The title of the exhibition, "All About - Inverted," is based on the least phonological unit of sound, sound.
On the other hand, 'ᅩ, ᄅ, ᅮ, ᅥ, ᄁ' is attached to the opposite ' 초, , ,, ᄋ.' When you separate the word "back" and rotate it, you see the original word.
Meaning breaks down. The devices that the author disassembled and overlaid with each scene were real and existent, and they were used to reproduce and record the past.
disturb the perception of Korea

All-in-one – upside downwards
Lee Jung-woo has dealt with pop culture and media, especially the mechanism by which fictional perceptions and images are accepted by film media.
All. The writer buys images and perceptions that are already solid by dissolving and recombining the elements that make up the film.
Make an empty parenthesis on this.
In his personal exhibition "Shot Blank" held at the Art Sunjae Center in 2017, the author made the customary mechanism of Korean horror films.
It disbanded and showed a video that combined with images that excluded the narration of the horror movie. The locations of the videos are for the production of horror films.
Location Hunting Archival, which is detected in horror movies even though it does not have the usual narrative available in movies.
It makes me feel a deep sense of fear It doesn't give you physical violence, but it's called a "horror bomb," which causes fear."
Connected to the title of the same consonant.
The video that will be shown in the exhibition begins with a fragmented narrative of the past. Historical remains are still in the form of forms.
It is either preserved or working in our daily lives as an intangible being. Die Resistenz (2019) was never completed.
It shows the body and the timing of the film drones that resist it. In the video, someone who might have once been honorable and great,
Drones hover around the body, which has not been born yet, as a monument. Die Resistenz means 'resistance' in German.
The drone's movement repeats itself as if it were a meeting between the N and N poles of the magnet, but at the same time it's a different time.
It is also seen as a "tanz," or dance act, as if it were waltz gracefully. Past events recorded in the future are measured in a variety of ways.
Convenient. In fact, events that believe to be real without impure are more like unrecorded as objective and accurate facts.
The Great Dwarf Age (2019) is a three-channel video of the King and His Tomb.
The site used to be a rallying point for all power in one era but now deals with places where historical beings remain like their own. <The Age of Dwarfs,>
The Royal Tombs of Chapter 1 and Die Resistenz's wooden frame are now missing from the end of the skin.
It looks like an unknown. In the middle of the video, there is news related to a certain politician and the nurturing of a politician who is played upside down.
In "Chapter 2. Two Actors," the actors who played the life of a historical character are in a room where they reenact the character.
The video shows him talking about the ceremony and playing a historical figure. <Chapter 3. 올욲억 - 거꾸로 거꾸로>는
The movie "The Mummy," "The Goons, 1985" and "Bi Xie Jien, 1981)" have been broken up in different ways.
It is a recombinant reallocation of work as. If you're looking at the video, which scene follows the timeline of the narrator, or the reverse.
It is becoming difficult to tell whether Imaging images, sounds, subtitles, etc., that enable visual reading.
To blend in dark. In the process of putting in reverse or obsequious scenes, the original movie's narrative is destroyed, or expected.
It is also read as a new narrative. It's like a structure that recognizes events in the last time line that have been reorganized.
The title of the exhibition, "All About - Inverted," is based on the least phonological unit of sound, sound.
On the other hand, 'ᅩ, ᄅ, ᅮ, ᅥ, ᄁ' is attached to the opposite ' 초, , ,, ᄋ.' When you separate the word "back" and rotate it, you see the original word.
Meaning breaks down. The devices that the author disassembled and overlaid with each scene were real and existent, and they were used to reproduce and record the past.
disturb the perception of Korea In this exhibition, the image recognized through the media acts as a window within the social mechanism.
We can fill in the blank brackets that the author has put in to see if there is a problem, how the trajectory of the past is being reorganized and recorded.
There will be.
Jang Ye Ji
Laurence Jeffries