Exhibition Information

First world_Exhibition view
2019

First world_Exhibition view
2019

First world_Exhibition view
2019

First world_Exhibition view
2019

			Our world faces everyday and familiar landscapes. Starting with the moment when we recognize the integrity of the familiar things, we are consumed by the desire to create a new world. Things that have always existed in the house, and lines of distant mountains seen in buses such as the structure of the interior, the usual alleys and the way to work, are bored to death, piling up layers of life. 
The First World refers to the only world that a writer has experienced aesthetically, not to the revolutionary 'first' of the times. The world, which was discovered along with its experience of reality and unrealistic imagination, is often characterized by a writer's interpretation by landmarks that cannot be interpreted geographically. The First World allows you to experience the infinite world created by a writer, not the way you reproduce, represent, or copy real-world locations. The semi-authentic and natural imagination skillfully created through the author's experience makes images lively and rich.
Lee Yeon-ju presents a variety of visual interpretations of "mountain," which have been looking familiarly around since childhood. It shows the rocky mountains and empty skies that were encountered in Cappadocia during a trip to Turkey in a red crystal display. The empty sky in the snow, along with rocky mountains stretched out on a horizontal line in Turkey, gives one a feeling of temperature different from the "mountain" scenery seen in Korea. Lee Yeon-ju's "mountain" is the first world created by projecting his memories and time into a landscape that is ordinary and everyone has been watching. 
Lee Yo-han presents a subjective view of the psychological and natural phenomena that arise from the assumption that the world is an independent and closed space that exists inside. 
It overlaps the process in which certain symbols are built and their symbols are formed. Looking back on the process, the writer's symbols are also visual images that he or she is forcibly grasping in past memories, and are the roots of emotions that have not changed in years. Inequal images on the screen gradually take their place over time. 
The moment of meeting a new world would not be the moment of "throwing into the world" but the moment of "opening the door of the world." The world is big and our inner world is deep. The world created through artists is more than a collection of expressions to convey one's image to others, a transcendent reality from the exterior of the sensual world, the process of the soul moving forward to Cambodia, and the first world that is skillfully well-owned.