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Information on the collection and utilization of personal information
Art Map collects personal information for members who wish to answer questions as shown below.
1. Collecting personal information item : [Essential] Member name, Phone number and E-mail address
2. Purpose of collecting and using personal information : to secure personal identification and a smooth communication path according to request for inquiry 3. Retention and Utilization Period of Personal Information : Keeping shall be made for six months from the end of processing the enquiry and destory it.
4. Added Information for the right to refuse consent : You may refuse the above consent for porsonal information collection.
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SUZANNE SONG THREE POINTS I
2023 acrylic/pigment on linen 127 x 105.5 cm
(Image Source = gallerybaton)
KIM SANGGYUN PATTERN GB #220720
2022 urethane resin, wood frame, oil paint, urethane paint 45(h) x 70(w) x 47(d) cm, pedestal: 70(h) x 98(w) x 55(d) cm
(Image Source = gallerybaton)
Exhibition view
(Image Source = gallerybaton)
Exhibition view
(Image Source = gallerybaton)
Gallery Baton is pleased to announce a two-person exhibition Lagrange Point with Kim Sang Gyun and Suzanne Song, from 19 April to 20 May in the Hannam-dong space.
The exhibition includes a series of relieves of Kim Sang Gyun, who has drawn primary qualities of architecture to the sculpture genre, and the multimedia practice of Suzanne Song, who has represented ‘spaces’ in the realm of perception with her illusionistic style. The exhibition title refers to what it ideally aims at, considering that Lagrange Point stands for 'gravitational equilibria spots' where the gravitational forces of two large bodies (in the most representative case, the sun and the earth) and the centrifugal force balance each other in terms of celestial mechanics; it offers an intriguing opportunity to witness how the works of two different artists establish a complementary relation despite maintaining each particular context. Especially it shows how Song’s recognition and awareness of time and space within her chronicle blend in with the macroscopic time and space selectively described by Kim through the adoption and montage of historic architectural relics: how these different methodologies produce a certain context and harmoniously occupy the shared space.
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(Source = gallerybaton)
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