Exhibition Information

Portrait of Lee Shi-bang

Song Si-yeol's handwriting

A ferry

A portrait of a Wandang teacher

			The National Jeju Museum will hold a special exhibition on Jeju’s exile culture on November 26.
The exhibition was organized by the National Jeju Museum to promote the "island culture" brand and introduce various historical and cultural contents created because Jeju is an island.

The exiled stream is a punishment that sends a guilty man to a remote place and prevents him from returning to his home country.
During the Joseon Dynasty, the death penalty was a serious punishment right before the death penalty. During the Joseon Dynasty, it was used as a means to maintain power by suppressing and isolating dissenters.
Jeju, in particular, was the number one place of exile during the Joseon Dynasty where the most number of exiles came. Not only the king but also the king of the Joseon Dynasty, but also the middle, common people, as well as the middle, and the reason for the exile varied from political strife to theft.
This exhibition shows the life, love, learning and relationships of these exile people.

The exhibition consists of three main parts, and you can see the images of the exile who had to live in a strange land called Jeju.
Part I: A Long Way Unfamiliar Journey, Looking into Jeju exile, highlights the history of exile and the various reasons.
Gwanghaegun’s "Gwanghaegun Ilgi" (National Treasure No. 151-4) which was the 15th king of the Joseon Dynasty but fell as an exile, the "Chungam House" of Kim Jung-eun’s father, Song Si-yeol’s portrait and handwriting, the "Choi Ik-hyeon Portrait" (Bosum No. 1510), and the last Korean statesman Lee Seung-joo’s record.
And Daejeong-hyun’s family registry, which contains a record of unknown exile, is also on display to see that there were a lot more exiles than we knew.

Part II: Waiting for a Hard and Desperate Time in a Strange Land tells the story of three generations of families who have been sent to Jeju for political reasons, their love from lonely and miserable exile, and those who have looked back on themselves and are devoted to their studies.
In particular, portraits of the Kim Chun-taek family involved in the power struggle between Queen Sukjong and Queen Inhyeon, and the Jo Jung-chul family involved in the Jeongjo assassination of King Jeongjo, as well as a rubbing of the Hongui Women’s Tomb for Hong Yun-ae, a Jeju woman, will be displayed.
Also on display will be Kim Jeong-hee’s "Choi-cho in Dajeonhwa," who established Chusache in Jeju’s exile city, and Kim Jeong-hee’s "Mooksa Saja Chan" (treasure No. 547) which was handed down by Kim Jeong-hee to her friend Kwon Don-ja (treasure No. 1685-1), and Heo Ryon-ryeon, who made a sacrifice.
Although it was not written in Jeju, you can miss out on "Mukjuga Saja Chan," the site of a harpoon containing the front page of Kim Jung-hee’s Chusa Temple.
In addition, portraits of Cho Eui-sun, a friend of Kim Jong-hee, private songs written for the king, and letters exchanged with the minister of family and Jeju will be displayed to show the human face of the exile.

Part III. Jeju exile, then, introduces the traces of the exile and its relationship with the Jeju people.
The exhibition will include "Wind of studying abroad" and "Oh Hyeon," students who passed past exams after studying abroad, and "Ipdojo" materials that have settled in Jeju and raised a family in the area.
Jeju's oyeonin gimjeong, suspect, quiet, suspect, songsangin, suspect, gimsangheon, suspect, Song Si-yeol oyeonui and a garland of the private <private teacher, Oh> record, Uam song once more. Japanese occupation when a rubbing <Rubbing Ohyeon can look at the side for about, Jeju-si, Jeju-do, Korea. through >
In addition, you can see the names of the students who passed the past examinations kept at Jeju Hyanggyo, ‧ Yongbangrok‧ ‧ ‧ 연방 연방Federal Treasure No. 101011, 의 Euimundang 현 Hyeonpan, written by Kim Jung-hee, and <Eunkwangse세 in memory of Kim Man-deok.
Also on display will be data on how to build a family in exile, such as Kim Hae-Kim, and Jeong-ju, the family tree.

In this exhibition, you’ll be able to enjoy images of exiles and a Digital Severity VR section for a virtual experience of Sehan Island.
In particular, the Virtual Experience section was produced jointly by Nine Blocks and Gyeonggi Content Agency as a high-quality video that allows visitors to experience Kim Jung-hee’s lonely and lonely mind that painted Sehan Island on the isolated island of Jeju.
During the exhibition, a variety of training programs are offered to help understand the exhibition.
Target-specific education programs are operated, including conversations with curators, children’s families, school connections, and research programs.
For more information, visit the Jeju National Museum of KoreaYou can find it at museum.go.kr.
To make the exhibition easier and more enjoyable, we also have a repertoire of important artifacts, experience sites, and exhibition-linked online events.
The exhibition will be held in the National Jeju Museum's planning and exhibition room, free of charge, and will run from November 26 to March 1, 2020.

This exhibition is an exhibition that shows the diverse culture of exile in Jeju, but it also marks the beginning of this exhibition.
There are many challenges to discover and study many of the exiled cultural content that is still hidden.
I hope it will be an exhibition where you can reflect on yourself and think about us looking at tomorrow.