Exhibition Information

Installation View

Installation View

Installation View

Installation View

			1
The Fake Film Project will unveil the process of author Kim Hye-ri ending her relationship with her biological father. He spent ten years with his father, but another decade separated from him, so his memory of his father is only as valid as that time. However, his father, who disappeared, does not disappear completely, but is reborn as digital data.

The father, who has no body but lives through text messages and social network accounts, is called the "Kim Young-hwa" virtual figure in his work. His name film comes from a third party's words that think the writer's experiences are as playful as a movie, and translates into "Film Kim" in English. "Fake Movie" is a go-ahead about what happens because you are a family, or because you are in a relationship where love is the only thing that needs to be forgiven. "Kim Young-hwa" is a product that gives personality to memories and beings that you want to erase but cannot kill, which you can't kill. The exhibition is presented to him as a rite of mock funeral.

2
An indelible memory of someone who wants to delete but cannot delete, neutralizes an individual in society. Can images that process the experience form a force? As an answer to this question, I would like to have the following intent to produce the work.

If you can type the memory into a movie, if you can see it dry, you can isolate yourself a little bit. Create an image by borrowing characteristics that distort or forget memory due to time. It is wary of the process being seen as an intention to ignore memory or consume only playfully. Violent memories should not be ignored or forgotten. It can serve as a warning not to confront another person with another violence, or as a milestone with the will not to forgive the perpetrator. Work, including video, is made to be a cover on the one hand.