Exhibition Information

			In order to live, the relationship is formed and the knot draws the relationship again. Even in the distance that human beings can't meet and meet, the surroundings, which they couldn't dare to spit out for their purpose, are squirted through the nets of relationships. Lee Soojin shows the soft but sometimes prickly side of the relationship on an innocent screen like a fairy tale. The brightness of the year may be a desolate and superior awakening to the complex past, but if you look inside, it could be a brutal black comedy, like a smiling mask smeared with desire and envy beyond understanding.

Society seems to be returning smoothly without individuals getting together and invading each other's territory, but the author sheds light on the chilly edges with the boundaries of its round, soft shell. Most of the members of life who filled the small space of life learned consideration and logic from childhood to learn how to live the world without any difficulty. There is always a nest of different temperatures in learning. But outside the fence of care that had never been decided on its own, there was a contradiction that could not be identified everywhere in the process. At the moment when the implicit rule of common sense and the right line breaks down, the obstacle of betrayal weighs down on the mind, but once you step on it, comfort and pleasure can soon come to you. However, in a society filled with individuals crossing the fence, the perception of crossing boundaries becomes dull, filling it with more intense clashes and scars under a calm surface.

The scene drawn by Lee Soojin contains the process, not the result of the incident. It's not one of the many different scenes that we explain, but one moment of flowing time that we don't necessarily want to feel is stopped as if it's stuffed. The eyes of the character are directed at any object in any space created by the author or at a point invisible to the audience. But the characters on the screen stand facing each other's position. Even if you do, you never make eye contact. It is hard to find a moment when the eyes expressing the relationship simply and symbolically intersect. Even the rare scene of face-to-face encounters is described as a collision between objects that cannot be communicated. The mysterious presence hidden in the shroud, confronted by a person who can be immersed in the audience's point of view, fills the place quiet enough to feel his popularity. The posture and calm facial expression of a person who seems uncomfortable at some point adjust the atmosphere of the work coldly, not dark.

Warm consideration for achieving emotional stability may also be an advantage of contradiction in some respects. The author puts on a sign of reason and reveals what irrationality and contradiction are essential in the contemporary era when he is insensitive to blemishes. It may not be pleasant for some audiences to read the cynical cold appreciation in a work that seems to contain innocent and sweet stories. It is easy and easy to settle down in one's comfort because it is similar to what one predicted by listening to what one wants to hear without paying attention to what the other person is talking about. However, the temperature of the artist's sincerity is not necessarily warm. Through Lee Soojin's work, which contains the status of relationships, not relationships due to the absence of understanding, the reality that I faced in the place where I expected a fantasy and found, will engrave a new depth in my emotions.