Exhibition Information

			This exhibition is a photographic exhibition of the Art Nouveau (decorative art) genre, newly expressed by pure analog techniques, and is a film-based photogrammed expression that seeks inner beauty and decorative beauty for weeds and invisible plants near us. As a current professor at the University of Agriculture and Life Insurance, the artist focused on the beauty and formative nature of the micro in small plants that he had usually seen closely.  Images created by film and light and objet are equivalent to images by typological display methods.

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 In visual art, Art Nouveau-inspired a sophisticated sensibility. Art Nouveau was a decorative art style that flourished throughout Europe and the United States between 1890 and 1910. Changes in arnubo's "cool" have been interpreted in various ways in many countries, including natural forms (flowers, leaves, animals, insects, etc.), emphasis on the fluidity of lines, geometric patterns, or asymmetrical compositions, and integration of structure and decoration. Art Nouveau is the most frequently borrowed expression of architecture, interior design, jewelry and glass design, posters, illustrations, etc.
 Nosigab's "Another Art Nouveau" work is the result of the photographer's thorough observation and intentions, just as it was an intentional attempt to create a new style away from the imitative historical that dominated much of 19th-century art and design. It analyzes various beauty and the nature of life, and dismantles them, and lists them as fragmented reunification. A series of processes is a complex representation process that locks a three-dimensional object into a plane and reinterprets the image of the plane. The result of this complex expression is the result of ink-and-wash jokes and indifference, and the organic gesture of life is the living gesture and attention and communication of writer Nosigab, who emphasizes asymmetry with shapes, lines, and light shapes that are essential in nature.
 The interest of writer Nosip explores the implicit nature of visual language through the asymmetry of various aspects of nature. The nature of matter, intentionality, and controlled making is replaced by the notion that allowing the underlying nature to be present can form the mind of an artist. I am interested in observing with a precious heart, interpreting the nature of life, and witnessing narratives as they say. It is a way to enhance the sensory system while developing an understanding of the self and describes the investigation of the mind as a result. It can be seen as a paradoxical situation to have an "Arnubo" concept that is precisely defined along with the essence of life, so it is noted that this paradox leads to new discoveries when adding the concept of life's reflection and projection as a joke.

Source by : Bongsan Cultural Center